Nikon SLRs will remove any resultant colour fringing in their JPEG processing anyway, as will the company's own Raw processing software. It's not lowest in class, but neither is it excessive. Lateral chromatic aberration is reasonably well controlled for a 35mm prime. But even F16 should be sharp enough for most purposes, especially when extended depth if field is desirable. There's then little practical change at apertures through to F8, beyond which diffraction starts to soften the image. The lens sharpens up quickly on stopping down, reaching its overall peak at F2.8. If anything it looks a touch sharper here than the more expensive AF-S Nikkor 35mm f/1.4G when compared like-for-like, and is very close to the benchmark Sigma 35mm F1.4 DG HSM, which is one of the sharpest lenses we've tested.Ĭentral sharpness is already very high wide open, and while the corners aren't quite so great, they're still perfectly acceptable. It's impressively sharp, exhibits relatively low chromatic aberration and distortion, and has acceptable levels of vignetting. The 35mm F1.8 returns excellent test results on the D800.
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